Writer: James Tynion IV
Artists: Lisandro Estherren, Patricio Delpeche
Color Artist: Patricio Delpeche
Letterer: Simon Bowland
Text Page Designer (Thessaly Special): AndWorld Design

Reviewed by Steve J. Ray

Summary

The second volume of James Tynion IV’s take on The Sandman Universe, Nightmare Country: The Glass House is finally here!

This gorgeous hardcover edition includes all six chapters of The Glass House and the one-shot Thessaly special. The dust jacket art, featuring the Corinthian, and the main cover, with the King of Pain, are both by Reiko Murakami. Also collected are all the main and variant covers.

New York artist, Madison Flynn, has been murdered by the re-animated corpse of her best friend, Kelly (AKA “Kells”). Now, the reborn Corinthian, along with Madison’s spirit, are both on the trail of the deadly duo behind Kelly’s murder, Mr. Agony and Mr. Ecstasy.

The two rogue nightmares killed Madison, and others because they could see a new nightmare, The Smiling Man, during waking hours. More troubling still, this nightmare was seemingly not a creation of Dream. To add even more fuel to the fire, it seems that Agony and Ecstasy had been commissioned to commit these murders by Desire, Dream’s younger sibling and frequent adversary.

Madison has been granted new flesh by Death of The Endless, at her brother Dream’s behest. Neither one seems to know of Desire’s involvement at this moment in time.

Positives

Nightmare Country‘s back! Thankfully Lisandro Estherren, Patricio Delpeche, and Simon Bowland have returned, alongside James Tynion. This issue cleverly picks up exactly where volume one left off, adding new characters to the tale and, by the end of the book, bringing back yet another huge presence from Neil Gaiman’s original Sandman run. We also meet another old “friend” from the classic “The Doll’s House” saga, again.

There are still people out there who have also seen The Smiling Man, and we can only wonder how long it will be before Agony and Ecstasy will be on their trail. Add a whole ton of supernatural intrigue, clubs that no one should want to be a member of, and the return of Kells, and this is one super-loaded graphic novel!

It may be hard to believe, but the art and colors by Lisandro and Patricio have actually improved since volume one. This book looks amazing, and Madison’s new form made me very happy indeed. The nods to the first arc are wonderful, and the love for the entire Sandman Universe, as created by Neil Gaiman, is palpable.

Simon Bowland also continues to impress with his letters, particularly when they clearly differentiate humans from angels, demons, and Endless.

James Tynion is sick, twisted, and terrifying. Great work, sir… keep it up. The saga of Kels and Max is as dark a love story as I could ever dream of and features a set of circumstances beyond my wildest imaginings. How does he even think this stuff up? Kelly’s just the sweetest… entity/ghost/spirit and I’m sure the undead deserve love too, right? Of course, when her beau, Max, discovers who she was and what she did; cats, pigeons, cans, and worms will be all over the place.

Kelly’s one of the residents of “The King Of Pain”, a nightclub that links our plane to Hell itself. This is the place where the richest, and those in their employ, can cater to all their most twisted needs and desires… or should that be Desires? Of course, we now know that Agony and Ecstasy, the evil duo who killed Kelly and forced her to kill Madison, were working for Desire of The Endless, one of the younger siblings of Destiny, Death, and Dream.

The addition of Thessaly as a main character opens up a world of storytelling possibilities that this exceptional creative team is grasping with both hands and running with.

Never in my wildest imaginings could I ever have believed that love between an undead girl and a mortal man could feel beautiful and real, but Max and Kells are so brilliantly written and drawn that I can’t help but root for them. Thessaly has always been infuriating, and now that she knows who’s been pulling the strings, even hers (from waaay back in the original Sandman series) I know that sparks are going to fly. Will she and Daniel’Dream cross paths?

Seeing Azazel, The King Of Pain, Dream, and his siblings in this book always makes me happy, so this book ticked a lot of boxes.

The creeping horror continues to unnerve and disturb, in the most delicious and entertaining ways. Is the Corinthian going to revert to type? Is he really working with Madison and Dream, or with the demon Azazel? Knowing the mind of James Tynion, I think we’ll get an answer somewhere between those two extremes that will both surprise and delight us.

All the breadcrumbs James Tynion’s been dropping since Nightmare Country volume one are starting to bear fruit, including the huge bombshell that closed the story. Dream has become embroiled in the events occurring in this series, so I can’t wait to witness the fireworks when he discovers that, once again, one of his younger siblings is neck-deep in the whole mess. In fact, it looks like they’re the one who’s behind the whole scenario.

I’ve been following Dream and his siblings since day one, so seeing them honored and homaged in great new comics makes me very happy indeed.

The secret of the Smiling Man has haunted readers for close to two years now and the story of Madison Flynn has been a source of terror and delight the entire time. Seeing her, The Corinthian, Max, and Kells get swept upon by a wave of demons, serial killers and the whims of The Endless has made this series feel closer to Gaiman’s classic than any other spin-off/follow-up that’s come before.

The power that Dream displays in this collection is nothing short of awesome. The way he handles both his creations and his various enemies is unbelievable. Tynion’s take on Daniel is perfect; he’s got the will and determination of Morpheus, but an edge and confidence that the original Dream never possessed.

First, let me say straight off the bat, that Thessaly is a horrible person. However, she’s a fascinating, deep, and extremely complex character. I’ve followed her story since her first appearance in issue #32 of Neil Gaiman’s Sandman (1991). She’s gone from being a terrifying, bigoted, and ultra-powerful witch in “A Game Of You“, to Dream’s lover, magical avenger, and force of nature in her more recent appearances.

James Tynion has a real grasp on the character and is finally showing us her past in Nightmare Country: The Glass House. By doing so, he lets us see some of the moments that made and forged her. The brilliant part is that all of this fits in with what we’ve already seen of her over the decades, honoring what her creator has already told us about her while adding more flesh to the bones of her history. I must also laud the way James creates new side characters that I immediately fall in love with. They’re all so flawed, human, and real!

Maria Lovet is a wonderful artist who gives readers a Thessaly as great as the one drawn by her co-creator, the inimitable Colleen Doran. The art in the chapter starring Thessaly is gorgeous; simple, clean, atmospheric, and, dare I say it, magical. This great story works both as a follow-up to The Sandman Universe: Nightmare Country #6 and as a chapter in the ongoing saga of Madison Flynn.

Yes, the writing, art, and Simon Bowland’s lettering in this book are (as always) first-rate, but I think I need to name guest creators AndWorld Design (AKA Deron Bennett) as the MVP of Thessaly’s tale.

I love experimental comics, and DC has been spoiling us recently with issues that tell a story as one continuous 20-page image, an entire story seen from one character’s POV, and the incomparable DC Black Label horror series, The Nice House On The Lake (also written by James Tynion). This chapter contains entire pages dedicated to text and art that are so seamlessly intertwined, that the reader’s left wondering whether the artist, colorist, or letterer was responsible for the final result. With this story, I finally have my answer.

The tale features several text pages, but they’re so lovely to look at that you’d be completely justified in calling them works of art. Some look like ancient scrolls, others like pages from a storybook, and yet others like a movie script (the scroll pages are featured below).

AndWorld didn’t just letter these pages. No. Just like the way they did in TNHOTL they imagined and executed the designs, created the textures, and provided the color. As usual, I’ve been left in awe. I cannot understand people who don’t see comics as true literature or art, because, for me, they’re the perfect marriage of both.

Negatives

How long until the final volume? Aaaaarrrrgggghhhh!

Verdict

The Sandman Universe: Nightmare Country: The Glass House closes with style and power. James Tynion’s foray into Neil Gaiman’s world of dreams and nightmares has never disappointed, and with the final act of this incredible dark fantasy/horror coming in 2024, a clash between Dream and Desire (and possibly Despair too, if the cover for the final chapter’s anything to go by) is edging ever closer.

A war is coming, and I can’t wait. The final chapters of this tale are tantalizingly close, but still just beyond our reach. I will wait, however impatiently, as I know what’s coming will deliver a story for the ages. This book gives readers the perfect close to this arc while leaving us all begging for more. Like the winter season itself, the wait will be a long, cold one… but one I believe will ultimately be worth it.

I’ll see you all again in dreams.

Review Copy Courtesy of Penguin Random House. Images Courtesy of DC Entertainment.

The Sandman Universe: Nightmare Country: The Glass House Collected Edition is available now from all good book and comic retailers: ISBN 9781779520722

The post Book Review: Sandman Universe: Nightmare Country: The Glass House – Collected Edition appeared first on DC Comics News.

Writer: James Tynion IV
Artist: Lisandro Estherren
Color Artist: Patricio Delpeche
Letterer: Simon Bowland

Reviewed by Steve J. Ray

Summary

The Sandman Universe: Nightmare Country: The Glass House #6 closes the latest volume of the title with style, and power. James Tynion’s foray into Neil Gaiman’s world of dreams and nightmares has never disappointed, and with the final act of this incredible dark fantasy/horror coming in 2024, a clash between Dream and Desire (and possibly Despair too, if the cover for the issue’s anything to go by) is edging ever closer.

Positives

The secret of the Smiling Man has haunted readers for close to two years now and the story of Madison Flynn has been a source of terror and delight the entire time. Seeing her, The Corinthian, Max, and Kells get swept upon by a wave of demons, serial killers and the whims of The Endless has made this series feel closer to Gaiman’s classic than any other spin-off/follow-up that’s come before.

The power that Dream displays in this issue is nothing short of awesome. The way he handles both his creations and his various enemies is unbelievable. Tynion’s take on Daniel is perfect; he’s got the will and determination of Morpheus, but an edge and confidence that the original Dream never possessed.

The art, colors, and letters by Lisandro Estherren, Patricio Depeche, and Simon Bowland are a delight. Estherren’s pencils, painted over with water-color style hues make this series look and feel ethereal, and dream-like. Just like the Sandman books of the 90s, this series doesn’t conform or fit in with what fans may feel comics should look like.

Bowland’s letters are stunning. Just like the legendary Todd Klein, Bowland creates voices for his characters, making them all feel individual and unique. Believe me, comparing any letterer’s work to Klein’s is about the highest praise I can give.

Negatives

A war is coming, and I don’t want to wait. The final chapters of this tale are tantalizingly close, but still just beyond our reach. I will wait, however impatiently, as I know what’s coming will deliver a story for the ages.

Verdict

The Sandman Universe: Nightmare Country: The Glass House #6 gives readers the perfect close to this arc while leaving us all begging for more. Like the winter season itself, the wait will be a long, cold one… but one I believe will ultimately be worth it.

I’ll see you all again in dreams.

Images Courtesy of DC Entertainment

The post Review: Nightmare Country: The Glass House #6 – Final Issue appeared first on DC Comics News.

Writer: James Tynion IV
Artist: Lisandro Estherren
Color Artist: Patricio Delpeche
Letterer: Simon Bowland

Reviewed by Steve J. Ray

Summary

In this month’s The Sandman Universe: Nightmare Country: The Glass House #5, we see several puzzle pieces finally falling into place.

Thessaly’s protecting Madison, in her Dream-given cat form, and Max. Both are on the run from the evil angel and corrupt millionaire behind the nightclub that doubles as a gateway to hell. Meanwhile, The Corinthian has infiltrated the club, in an effort to liberate Kells, Max’s undead girlfriend.

Positives

I’m wondering whether you’re reading this review without having enjoyed any issues of this remarkable series. Why? Because the last paragraph should have your head swimming and asking yourself, “OK… what?!?” I’m also asking myself, regularly, why more people aren’t reading this title, because it’s consistently fantastic.

All the breadcrumbs James Tynion’s been dropping since Nightmare Country #1 are starting to bear fruit, including the huge bombshell that closed issue #5. Dream has become embroiled in the events occurring in this series, so I can’t wait to witness the fireworks when he discovers that, once again, one of his younger siblings is neck-deep in the whole mess. In fact, it looks like they’re the one who’s behind the whole scenario.

I’ve been following Dream and his siblings since day one, and seeing them honored and homaged in great new comics makes me very happy indeed. Lisandro Estherren and Patricio Delpeche keep taking us into a world that feels like it’s come out of our darkest dreams. The art’s creepy, yet beautiful, and the colors are spooky and ethereal. All put together, these comics stand out from the crowd. This is intelligent, psychological horror at its finest.

Never in my wildest imaginings could I ever have believed that love between an undead girl and a mortal man could feel beautiful and real, but Max and Kells are so brilliantly written and drawn that I can’t help but root for them. Thessaly has always been infuriating, and now that she knows who’s been pulling the strings, even hers (from waaay back in the original Sandman series) I know that sparks are going to fly. Will she and Daniel cross paths?

Seeing Azazel, The King Of Pain, Dream, and his siblings in this book always makes me happy, so this issue ticked a lot of boxes.

Simon Bowland keeps up the class, too. His lettering is as elegant, essential, and perfect as the script and the art. I can feel the heat coming from those candles as I hear them light up.

Negatives

I WANT TO SEE DREAM AND THESSALY CONFRONT THE ENEMY! AAAARRRGGGHHH!

Of course, this is just me being selfish and impatient.

Verdict

I’m sure that it will come as no surprise that I loved Nightmare Country: The Glass House #5. Everything about this title just works for me, and I leave every issue wanting more. The only trouble is, I  don’t want to wait.

Images Courtesy of DC Entertainment

The post Review: Nightmare Country: The Glass House #5 appeared first on DC Comics News.

Writer: James Tynion IV
Artist: Lisandro Estherren
Color Artist: Patricio Delpeche
Letterer: Simon Bowland

Reviewed by Steve J. Ray

Summary

After a brief (but brilliant) interlude last month with Thessaly, we return to The Sandman Universe: Nightmare Country: The Glass House #4, exactly where we left the previous issue.

While the Corinthian enters the King of Pain nightclub (the demon Azazel’s portal from Earth to Hell) Madison and Max are confronted by the witch Thessaly. We witness murder, and mayhem, and get a visit from a tall librarian plus a final page cameo that left me jumping for joy!

Positives

This issue has it all. There’s enough intrigue, subterfuge, and plotting that we’re making wild guesses at to what’s going on, while James Tynion slowly drops breadcrumbs, red herrings, and guest appearances to leave readers clamoring for more.

No, we still don’t know how or why Desire is involved, whether the Corinthian’s turning back to the dark side, nor what the Angel and the Hollywood producer are planning, but boy are we along for the ride!

The addition of Thessaly as a main character opens up a world of storytelling possibilities that this exceptional creative team is grasping with both hands and running with. The art by Lisandro Estherren and Patricio Delpeche continues to inspire and delight, particularly when we get to see the true power of the forces of darkness at play on page five of the book, as one of Max’s work colleagues is on the receiving end of a particularly sharp spell… The use of color on this page is truly phenomenal, contrasting the prelude and aftermath of the event beautifully.

As always, Simon Bowland’s use of design and innovative text fonts and balloons, for the supernatural characters of the book, are wonderful.

Negatives

I’m only calling this a negative because I’m selfish. Guys! You cannot close the issue with a cameo of that significance! I mean, seriously… this is (exquisite) torture!

Verdict

The Sandman Universe: Nightmare Country: The Glass House #4 had me gripped from start to finish, and this entire series has consistently been great to read, and amazing to look at.

I honestly believe that issue #5 will be a Dream come true for some… myself included.

Images Courtesy of DC Entertainment

The post Review: Nightmare Country: The Glass House #4 appeared first on DC Comics News.

Writer: James Tynion IV
Artist: Lisandro Estherren
Color Artist: Patricio Delpeche
Letterer: Simon Bowland

Reviewed by Steve J. Ray

Summary

Hot on the heels of the excellent collected edition of volume one, the second chapter of James Tynion IV’s take on The Sandman Universe, Nightmare Country: The Glass House #1 is finally here!

New York artist, Madison Flynn, has been murdered by the re-animated corpse of her best friend, Kelly, AKA “Kells”. Now, the reborn Corinthian, along with Madison’s spirit, are both on the trail of the deadly duo behind Kelly’s murder, Mr. Agony and Mr. Ecstasy.

The two rogue nightmares killed Madison, and others, because they could see a new nightmare, The Smiling Man, during waking hours. More troubling still, this nightmare was seemingly not a creation of Dream. To add even more fuel to the fire, it seems that Agony and Ecstasy had been commissioned to commit these murders by Desire, Dream’s younger sibling and frequent adversary.

Madison has been granted new flesh by Death of The Endless, at her brother Dream’s behest. Neither one seem to know of Desire’s involvement at this moment in time.

Positives

Nightmare Country‘s back! Thankfully Lisandro Estherren, Patricio Delpeche, and Simon Bowland have returned, alongside James Tynion. This issue cleverly picks up exactly where issues 5  and 6 left off, adding new characters to the tale and, by the end of the book, bringing back yet another huge presence from Neil Gaiman’s original Sandman run. We also meet another old “friend” from the classic “The Doll’s House” saga, again.

There are still people out there who have also seen The Smiling man, and we can only wonder how long it will be before Agony and Ecstasy will be on their trail. Add a whole ton of supernatural intrigue, clubs that no one should want to be a member of, and the return of Kells, and Nightmare Country: The Glass House #1 is one super loaded comic book!

It may be hard to believe, but the art and colors by Lisandro and Patricio have actually improved since volume one. This issue looks amazing, and Madison’s new form made me very happy indeed. The nods to the first arc are wonderful, and the love for the entire Sandman Universe, as created by Neil Gaiman, is palpable.

Simon Bowland also continues to impress with his letters, particularly when they clearly differentiate humans from angels, demons, and Endless.

Negatives

I do not have a single complaint… apart from the fact that the tension’s killing me!

Verdict

The fact that DC is releasing this issue on the same day as the hardcover and trade paperback collections of Nightmare Country volume 1 is genius. Anyone who didn’t pick up the first series should march down to the nearest purveyor of fine sequential storytelling, and grab your collected edition of choice (though the hardcover comes with a stunning portrait of Death, by the wonderful Jenny Frison, while the paperback edition doesn’t). You should, of course, purchase Nightmare Country: The Glass House #1 at the same time.

Trust me, you won’t regret it.

Images courtesy of DC Entertainment

The post Review: Nightmare Country: The Glass House #1 appeared first on DC Comics News.

Writer: James Tynion IV
Artists: Lisandro Estherren, Yanick Paquette, Andrea Sorrentino, Francesco Francavilla, Dani, Aaron Campbell, Maria Llovet
Color Artists: Patricio Delpeche, Nathan Fairbairn, Jordie Bellaire, Francesco Francavilla, Tamra Bonvillain, Maria Llovet
Letterer: Simon Bowland

Reviewed by Steve J. Ray

Summary

The stunning Sandman Universe: Nightmare Country hardcover collected edition contains the complete first arc of the series, a gallery of all the main and variant covers, a haunting, yet beautiful dust-jacket cover by Alex Eckman-Lawn, plus a stunning hi-res print of the extremely rare 1:100 Death of the Endless cover, by Jenny Frison.

Here’s a brief synopsis from Penguin Random House:

Acclaimed writer James Tynion IV has waited his whole career to pay tribute to the mythos of The Sandman, the work that made him the writer he is today – and that time has come!

 

Designed to welcome new readers into one of the greatest worlds in DC’s library, The Sandman Universe: Nightmare Country is a terrifying travelogue through a nation recognizable and obscene, which will show you things seen in no Sandman series ever before.

 

With spectacular art by Lisandro Estherren (Redneck, Strange Skies Over East Berlin) and “nightmare” sequences by comics art all-stars!

 

This volume collects The Sandman Universe: Nightmare Country #1-6.

Positives

This is a seriously good book and as strong a first volume as I could’ve wished for. James Tynion is one of the foremost horror writers in comics, and the incredible art teams who worked on this collection are as phenomenally talented as he is.

The main story, “Nightmare Country” is one of those tales that seem to bathe you in a slow, creeping, stream of horror that makes you feel like you’re drowning. Lisandro Estherren’s beautiful art then elevates that feeling because it’s the equivalent of sinking into sweet, delicious, but ultimately deadly honey.

The main protagonist is New York artist, Madison Flynn. She says she doesn’t dream anymore, but in waking hours she sees “The Smiling Man”, a golem-like lump of clay with three mouths, two of them where its eyes should be. When we meet her, Flynn isn’t the only person to see this creature, but she may well be the only one still alive. The duo behind the deaths of the other witnesses is hot on her trail, while the Corinthian, another nightmare with mouths for eyes, is even closer.

The reintroduction of the Corinthian sold me when Nightmare Country was first announced, as I’ve been enthralled by the character since their first appearance in Neil Gaiman’s original, legendary Sandman series. The way that this iteration of the nightmare has all the memories of the original, while they are separate entities and act and think differently, is masterfully handled.

The main antagonists, Mr. Agony and Mr. Ecstasy are ruthless, remorseless, savage assassins who thoroughly enjoy their work. It’s great that, at first, we wonder whether the two Misters are kin to The Corinthian or, even worse, just sick evil human beings (the real monsters). They’re also a loving tribute to Neil Gaiman’s Neverwhere characters, Messrs Croup, and Vandemar. Oh, and I’d love to be able to see all your faces when you find out who’s behind their killing spree!

The way that Sandman Universe: Nightmare Country comes across as a natural extension of Neil Gaiman’s classic series is wonderful and the appearance of other inhabitants of the Dreaming is also very welcome. The best part is that James Tynion is rewarding fans who have loved these stories for the last 30+ years, without alienating or baffling new readers.

We’re also treated to interludes in the first five chapters. I usually hate it when a comic is handled by more than one art team, but it really works within the structure of this particular narrative. These secondary “The Dreaming” stories, with art produced by different creative teams, tell the characters’ back story in gorgeous, original ways that don’t feel like an info dump or annoyingly intrusive exposition.

Anyone who knows me, or who regularly reads my reviews, knows that I’m a child of the Alan Moore era Swamp Thing, Neil Gaiman’s original Sandman epic, and all the Vertigo/DC Black Label books that followed. It’s clear that James Tynion feels the same way, and he cites The Sandman as being the reason he became a writer (See the trailer advertising the series at the bottom of this review and check out my interview with him here, or on YouTube).

Seeing Moore’s Boogey Man referenced (Swamp Thing Vol. 2, #44) alongside the Corinthian’s debut story (Sandman issues #9-16) made my heart leap with joy. Those classics, for me, were when comics grew up, so seeing these tales honored and expanded on is a delight.

The surreal quality of Lisandro Estherren’s art adds so much to the feel of this book and I don’t believe any ultra-realistic or even fully painted work would do the story as much justice. Estherren’s dream-like, cartoony style, coupled with haunting colors by Patricio Delpeche, all give readers a world that seems to be just on the wrong side of a cracked, cursed mirror.

Simon Bowland’s creative lettering also helps the nightmares sound inhuman and adds to the tension and drama. His reworking of the old “Dream Country” logo (Sandman volume three, issues #17-20, 1990, collected in book one of the new omnibus editions) is an evocative and brilliantly thoughtful plus.

Another wonderful aspect of this story is that the human characters are every bit as interesting as the dreams and nightmares that are invading their world. They’re deep, flawed, realistic, and sympathetic, which has already made me feel for them, and want to continue following their stories.

“The Cereal Convention” and “Chaste” side stories are a love letter to Neil Gaiman’s original, timeless, seminal Sandman run. We get to see more than one classic character from the original series other than the Corinthian too. The witch, Thessaly, is the star of the final chapter of the book, which leads straight into the follow-up series, Dead Boy Detectives. While she’s not a nice person, she’s a brilliant character.

The art and colors by Maria Lovet in the closing tale are similar enough in style to Estherren’s that they won’t jar readers, yet different enough that the story clearly feels like a new chapter in the ongoing series. The way she colors outside the lines adds a level of oddness and nostalgia that puts you on edge, while also reminding you of a more innocent, Ben-Day Dots era of years gone by. It’s very effective indeed.

Negatives

You’re dreaming…

Verdict

Sandman Universe: Nightmare Country is about as good a graphic novel as anyone could ask for. It delivers shocks, horror, betrayal, violence, and dark fantasy at the highest level. This book will happily sit on the same shelf as my Sandman originals because it’s more than worthy.

Review copy courtesy of Penguin Random House. Images Courtesy of DC Entertainment.

The post Book Review: Sandman Universe: Nightmare Country – Collected Edition appeared first on DC Comics News.

Here’s the full press release, direct from DC Comics:

DC Black Label’s
‘The Sandman Universe: Nightmare Country’
Comic Book Series
Returns in 2023 with
‘Nightmare Country: The Glass House’

‘The Sandman Universe: Nightmare Country’ Vol. 1
To Simultaneously Publish as a
Collectible Hardcover and a New-Reader-Friendly Softcover,
Built to Welcome Fans to ‘The Sandman Universe’

New DC Comic Book Series
‘The Sandman Universe: Dead Boy Detectives’
Launches December 27

Acclaimed horror writer James Tynion IV (Something Is Killing The Children, The Nice House On The Lake) has waited his whole career to pay tribute to the mythos of The Sandman, the work that made him the writer he is today, and now that time has come! With lush, gorgeous art from Redneck’s Lisandro Estherren and a who’s-who of superstar guest artists, The Sandman Universe: Nightmare Country is designed to welcome new readers into one of the greatest worlds in DC’s library, The Sandman Universe.

To make welcoming new readers easier, the collected edition of The Sandman Universe: Nightmare Country arrives in two different formats. The collectible hardcover release with cover art by Alex Eckman-Lawn will be available wherever books are sold and is packaged with a mini-print of the iconic Death, as illustrated by artist Jenny Frison.

A softcover edition with cover art by Reiko Murakami, priced as an easy jump-on point, will be available exclusively at direct market comic book stores. Both are out April 4, the same day as the launch issue of Nightmare Country’s spectacular follow-up miniseries, The Sandman Universe: Nightmare Country – The Glass House!

James Tynion IV:

I’m thrilled to announce that Nightmare Country’s follow-up miniseries, The Glass House, is coming early in 2023.

 

The Corinthian is going to be making his way to Silicon Valley, where he will go head-to-head with Angels, Demons, and a breed of creature far more terrifying that anything he’s faced before, Venture Capitalists.

 

Lisandro and I are excited to continue this nightmare tour through modern America and can’t wait for you all to see what we’ve got in store for you.

The Sandman Universe: Nightmare Country – The Glass House, launching on April 4, 2023, brings Tynion and Estherren back into DC’s The Sandman Universe with a new story and new setting for the second act of their DC Black Label epic. The series will continue featuring covers by Reiko Murakami, as seen above.

Launching between the first two Nightmare Country narratives is The Sandman Universe: Dead Boy Detectives by Pornsak Pichetshote (The Good Asian) and Jeff Stokely, featuring Thessaly the witch along with series regular ghost detectives Edwin and Charles.

Their investigation into a Thai American girl’s disappearance from her Los Angeles home puts them on a collision course with new and terrifying ghosts straight from Thai folklore that could give even a dead boy nightmares!

How exciting is that? As a fan of Neil Gaiman’s Sandman Universe for over 30 years, this news is a dream come true.

As an added bonus, check out the main cover for Dead Boy Detectives #1 and the updated Sandman Universe reading guide, which now includes book six of the beautiful new collected editions!

Images and Press Release Courtesy of DC Entertainment

The post DC Black Label Announces ‘The Sandman Universe: Nightmare Country: The Glass House’ and more appeared first on DC Comics News.

WARNING! The preview art below, provided by DC Comics, reveals HUGE SPOILERS!

Writer: James Tynion IV
Artists: Lisandro Estherren, Aaron Campbell
Color Artists: Patricio Delpeche, Jordie Bellaire
Letterer: Simon Bowland

Reviewed by Steve J. Ray

Summary

Sandman Universe: Nightmare Country #5 explodes onto the scene with revelations, Death, Dreams, nightmares, and more surprises than I would’ve thought could ever fit in a 20-page comic book.

Last month I said that issue #4 was the best chapter to date… this one has blown it right out of the water.

Positives

This is a great time to be a Sandman fan. Unless you’ve been imprisoned underground in a glass cage for a hundred years, you may well be aware that Netflix dropped their live-action Sandman TV show at the beginning of August. I don’t know whether watching it has colored my opinion of this issue, but the synchronicity between the volumes that have been adapted for the TV series and the story that’s unfolding in this title is nothing short of mind-blowing.

Either James Tynion IV is psychic, or he knew exactly which characters would be under the spotlight in the show. Sandman Universe: Nightmare Country #5 directly references “The Doll’s House” and also fits beautifully with the version witnessed in the TV adaptation. It’s absolute magic! To make the illusion even more mesmerizing, this issue’s reveal of Agony and Ecstacy’s mysterious employer is also a surprise that perhaps really shouldn’t have been.

Lisandro Estherren and Patricio Delpeche continue to wow with their art, but guest artists Aaron Campbell and Jordie Bellaire have blown my mind, too. This month’s “The Cereal Convention” side story, just like issue #4’s “Chaste” is a love letter to Neil Gaiman’s original, timeless, seminal Sandman run. I’m not spoiling who this issue’s main Dreamy guest star is, because the variant covers have done that for me, but there are still plenty of surprises in store that make this issue a must-buy comic.

Simon Bowland is a legend. Not only are his letters and designs for the new characters sublime, but he’s also managed to pay homage to the legendary Todd Klein in this issue too. Mr. Bowland has rapidly climbed into the highest levels of my favorite letterers’ list. Bravo, sir.

Negatives

The wait for issue #6 will be almost as painful as the one for season two of the Sandman TV show.

Verdict

Wow… I didn’t see any of that coming. James Tynion and the incredible art team associated with this book have delivered the kind of story that dreams (or nightmares) are made of. This book is fresh, innovative, and intriguing, yet full of love and admiration for the legendary tales that preceded it.

Sandman Universe: Nightmare Country #5 and titles like The Nice House On the Lake clearly show why DC are the masters of dark fantasy and horror comics for mature readers.

Images Courtesy of DC Entertainment

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Writer: James Tynion IV
Artists: Lisandro Estherren and Dani
Color Artists: Patricio Delpeche and Tamra Bonvillain
Letterer: Simon Bowland

Reviewed by Steve J. Ray

Summary

Madison Flynn is being stalked. Not out of misplaced love, or obsession, but by supernatural beings who want her dead. Her apartment has been burned down, and her best friend has been murdered. What makes matters worse is that all of this was just the beginning, as we discover in Sandman Universe: Nightmare Country #4.

Positives

Wow, I don’t even know where to begin, as this issue could actually be the strongest of the series, so far. James Tynion is writing an amazing tale and artists Lisandro Estherren and Patricio Delpeche are bringing his nightmares to life. The surreal quality of the art adds so much to the feel of this book and I don’t believe any ultra-realistic or even fully painted work would do the story as much justice. The dream-like, cartoony style of Estherren, coupled with the hues of Delpeche, give readers a world that seems to be just on the wrong side of a cracked, cursed mirror.

Simon Bowland is also absolutely killing it… not in the same way as Agony and Ecstacy, but you know what I mean. Subtle touches like the murderers’ white-on-black dialogue and the switch of fonts during the “Chaste” interlude all add even deeper layers to the final look of the book.

As for that interlude… wow! Anyone who knows me, or who regularly reads my reviews, knows that I’m a child of the Alan Moore era Swamp Thing, Neil Gaiman’s original Sandman epic, and all the Vertigo/DC Black Label books that followed them.

Seeing Moore’s Boogey Man referenced (Swamp Thing Vol. 2, #44) alongside the Corinthian’s debut story (Sandman issues #9-#16) made my heart leap with joy. Those classics, for me, were when comics grew up, so seeing them honored and expanded on is a delight.

Dani and Tamra Bonvillain also pulled the rug right out from under me. From the beginning, the backup strips in this series have been part of the ongoing narrative, rather than an extra story tacked on at the end of the book. This month, I didn’t even feel or notice the transition. Philip Sitz’s story revolted and fascinated me, just as it did back in the 90s, and flowed with the main tale so perfectly that I was blown away.

Negatives

Apart from maybe having had Simon Bowland do the lettering on the side of the helicopter, I’ve got nothing. Even that’s just nit-picking.

Verdict

Sandman Universe: Nightmare Country #4 is about as good a comic as anyone could ask for. Shocks, horror, betrayal, violence, and dark fantasy at its very finest. This series will happily sit on the same shelf as my Sandman originals because it’s more than worthy.

Images Courtesy of DC Entertainment

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Writer: James Tynion IV
Artists: Lisandro Estherren and Yanick Paquette
Color Artists: Patricio Delpeche and Nathan Fairbairn
Letterer: Simon Bowland

Reviewed by Steve J. Ray

Summary

The worlds of Neil Gaiman’s Endless saw a strong resurgence with DC Comics’ Black Label titles. Sadly, these books seemingly came to an end in 2021. I was saddened by the cancellation of The Dreaming: Waking Hours last year, and the short (but excellent) Sandman/Locke & Key: Hell & Gone mini-series came and went far too quickly. Thankfully, James Tynion IV and his companions are now set to make all our dreams (good and bad) come true, with Sandman Universe: Nightmare Country #1.

Positives

This is a seriously good comic, and as strong a first issue as I could’ve wished for. James Tynion is one of the foremost horror writers in comics, and the incredible art teams in this book are as phenomenally talented as he is.

The main story, “Nightmare Country” is one of those tales that seen to bathe you in a slow, creeping, stream of horror that makes you feel like you’re drowning. Lisandro Estherren’s beautiful art then elevates that feeling because it’s the equivalent of sinking into sweet, delicious, but ultimately deadly honey.

The interlude, “The Dreaming” is more realistically drawn by the wonderful Yanick Paquette. I usually hate it when one comic is handled by more than one art team, but it really works for this issue. Yanick’s story is set in The Dreaming but is drawn more “real-world” in style, while “Nightmare Country” is mostly set in the real world, but is visually dream-like, and nightmarish. I love that. What’s also incredibly impressive is the way that the two hugely talented color artists, Patricio Delpeche and Nathan Fairbairn, have further separated the feel of the art with warm, psychedelic colors in the main story, juxtaposed by cool, flatter hues in the interlude.

If you’ve read my Hell & Gone review or listened to any of the podcasts I’ve made that expound on the subject of Neil Gaiman’s Sandman and The Endless, you already know how much I adore this universe. Having a comic that’s clearly been created by talents who love those stories as much as I do fills my heart with joy. The fact that the main protagonist is The Corinthian shows a real knowledge and appreciation of what came before this new series, and a huge understanding of the worlds Gaiman and his many collaborators created.

Another wonderful aspect of Sandman Universe: Nightmare Country #1, is that the human characters are every bit as interesting as the dreams and nightmares that are invading their world. They’re deep, flawed, real, and sympathetic, which has already made me feel for them, and want to continue following their story. Simon Bowland’s creative lettering also helps the nightmares sound inhuman and adds to the tension and drama. His reworking of the old “Dream Country” logo (Sandman book three) is an evocative and a brilliantly thoughtful plus.

Negatives

Once again, I am far too poor to be able to buy all those gorgeous alternate covers. Wow, they’re so beautiful.

Verdict

I cannot wait for issue #2! This series has had an amazing start and has already 100% pulled me into the story. Are the two Misters at the end of the book kin to The Corinthian or, even worse, just sick evil human beings (the real monsters)? Are they also a loving tribute to Neil Gaiman’s Neverwhere characters, Messrs Croup and Vandemar? Either way, both the human and Nightmare characters have grabbed my attention and left me wanting more.

Buy this comic!

Images Courtesy of DC Entertainment

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