Writer: James Tynion IV
Artists: Lisandro Estherren, Patricio Delpeche
Color Artist: Patricio Delpeche
Letterer: Simon Bowland
Text Page Designer (Thessaly Special): AndWorld Design

Reviewed by Steve J. Ray

Summary

The second volume of James Tynion IV’s take on The Sandman Universe, Nightmare Country: The Glass House is finally here!

This gorgeous hardcover edition includes all six chapters of The Glass House and the one-shot Thessaly special. The dust jacket art, featuring the Corinthian, and the main cover, with the King of Pain, are both by Reiko Murakami. Also collected are all the main and variant covers.

New York artist, Madison Flynn, has been murdered by the re-animated corpse of her best friend, Kelly (AKA “Kells”). Now, the reborn Corinthian, along with Madison’s spirit, are both on the trail of the deadly duo behind Kelly’s murder, Mr. Agony and Mr. Ecstasy.

The two rogue nightmares killed Madison, and others because they could see a new nightmare, The Smiling Man, during waking hours. More troubling still, this nightmare was seemingly not a creation of Dream. To add even more fuel to the fire, it seems that Agony and Ecstasy had been commissioned to commit these murders by Desire, Dream’s younger sibling and frequent adversary.

Madison has been granted new flesh by Death of The Endless, at her brother Dream’s behest. Neither one seems to know of Desire’s involvement at this moment in time.

Positives

Nightmare Country‘s back! Thankfully Lisandro Estherren, Patricio Delpeche, and Simon Bowland have returned, alongside James Tynion. This issue cleverly picks up exactly where volume one left off, adding new characters to the tale and, by the end of the book, bringing back yet another huge presence from Neil Gaiman’s original Sandman run. We also meet another old “friend” from the classic “The Doll’s House” saga, again.

There are still people out there who have also seen The Smiling Man, and we can only wonder how long it will be before Agony and Ecstasy will be on their trail. Add a whole ton of supernatural intrigue, clubs that no one should want to be a member of, and the return of Kells, and this is one super-loaded graphic novel!

It may be hard to believe, but the art and colors by Lisandro and Patricio have actually improved since volume one. This book looks amazing, and Madison’s new form made me very happy indeed. The nods to the first arc are wonderful, and the love for the entire Sandman Universe, as created by Neil Gaiman, is palpable.

Simon Bowland also continues to impress with his letters, particularly when they clearly differentiate humans from angels, demons, and Endless.

James Tynion is sick, twisted, and terrifying. Great work, sir… keep it up. The saga of Kels and Max is as dark a love story as I could ever dream of and features a set of circumstances beyond my wildest imaginings. How does he even think this stuff up? Kelly’s just the sweetest… entity/ghost/spirit and I’m sure the undead deserve love too, right? Of course, when her beau, Max, discovers who she was and what she did; cats, pigeons, cans, and worms will be all over the place.

Kelly’s one of the residents of “The King Of Pain”, a nightclub that links our plane to Hell itself. This is the place where the richest, and those in their employ, can cater to all their most twisted needs and desires… or should that be Desires? Of course, we now know that Agony and Ecstasy, the evil duo who killed Kelly and forced her to kill Madison, were working for Desire of The Endless, one of the younger siblings of Destiny, Death, and Dream.

The addition of Thessaly as a main character opens up a world of storytelling possibilities that this exceptional creative team is grasping with both hands and running with.

Never in my wildest imaginings could I ever have believed that love between an undead girl and a mortal man could feel beautiful and real, but Max and Kells are so brilliantly written and drawn that I can’t help but root for them. Thessaly has always been infuriating, and now that she knows who’s been pulling the strings, even hers (from waaay back in the original Sandman series) I know that sparks are going to fly. Will she and Daniel’Dream cross paths?

Seeing Azazel, The King Of Pain, Dream, and his siblings in this book always makes me happy, so this book ticked a lot of boxes.

The creeping horror continues to unnerve and disturb, in the most delicious and entertaining ways. Is the Corinthian going to revert to type? Is he really working with Madison and Dream, or with the demon Azazel? Knowing the mind of James Tynion, I think we’ll get an answer somewhere between those two extremes that will both surprise and delight us.

All the breadcrumbs James Tynion’s been dropping since Nightmare Country volume one are starting to bear fruit, including the huge bombshell that closed the story. Dream has become embroiled in the events occurring in this series, so I can’t wait to witness the fireworks when he discovers that, once again, one of his younger siblings is neck-deep in the whole mess. In fact, it looks like they’re the one who’s behind the whole scenario.

I’ve been following Dream and his siblings since day one, so seeing them honored and homaged in great new comics makes me very happy indeed.

The secret of the Smiling Man has haunted readers for close to two years now and the story of Madison Flynn has been a source of terror and delight the entire time. Seeing her, The Corinthian, Max, and Kells get swept upon by a wave of demons, serial killers and the whims of The Endless has made this series feel closer to Gaiman’s classic than any other spin-off/follow-up that’s come before.

The power that Dream displays in this collection is nothing short of awesome. The way he handles both his creations and his various enemies is unbelievable. Tynion’s take on Daniel is perfect; he’s got the will and determination of Morpheus, but an edge and confidence that the original Dream never possessed.

First, let me say straight off the bat, that Thessaly is a horrible person. However, she’s a fascinating, deep, and extremely complex character. I’ve followed her story since her first appearance in issue #32 of Neil Gaiman’s Sandman (1991). She’s gone from being a terrifying, bigoted, and ultra-powerful witch in “A Game Of You“, to Dream’s lover, magical avenger, and force of nature in her more recent appearances.

James Tynion has a real grasp on the character and is finally showing us her past in Nightmare Country: The Glass House. By doing so, he lets us see some of the moments that made and forged her. The brilliant part is that all of this fits in with what we’ve already seen of her over the decades, honoring what her creator has already told us about her while adding more flesh to the bones of her history. I must also laud the way James creates new side characters that I immediately fall in love with. They’re all so flawed, human, and real!

Maria Lovet is a wonderful artist who gives readers a Thessaly as great as the one drawn by her co-creator, the inimitable Colleen Doran. The art in the chapter starring Thessaly is gorgeous; simple, clean, atmospheric, and, dare I say it, magical. This great story works both as a follow-up to The Sandman Universe: Nightmare Country #6 and as a chapter in the ongoing saga of Madison Flynn.

Yes, the writing, art, and Simon Bowland’s lettering in this book are (as always) first-rate, but I think I need to name guest creators AndWorld Design (AKA Deron Bennett) as the MVP of Thessaly’s tale.

I love experimental comics, and DC has been spoiling us recently with issues that tell a story as one continuous 20-page image, an entire story seen from one character’s POV, and the incomparable DC Black Label horror series, The Nice House On The Lake (also written by James Tynion). This chapter contains entire pages dedicated to text and art that are so seamlessly intertwined, that the reader’s left wondering whether the artist, colorist, or letterer was responsible for the final result. With this story, I finally have my answer.

The tale features several text pages, but they’re so lovely to look at that you’d be completely justified in calling them works of art. Some look like ancient scrolls, others like pages from a storybook, and yet others like a movie script (the scroll pages are featured below).

AndWorld didn’t just letter these pages. No. Just like the way they did in TNHOTL they imagined and executed the designs, created the textures, and provided the color. As usual, I’ve been left in awe. I cannot understand people who don’t see comics as true literature or art, because, for me, they’re the perfect marriage of both.

Negatives

How long until the final volume? Aaaaarrrrgggghhhh!

Verdict

The Sandman Universe: Nightmare Country: The Glass House closes with style and power. James Tynion’s foray into Neil Gaiman’s world of dreams and nightmares has never disappointed, and with the final act of this incredible dark fantasy/horror coming in 2024, a clash between Dream and Desire (and possibly Despair too, if the cover for the final chapter’s anything to go by) is edging ever closer.

A war is coming, and I can’t wait. The final chapters of this tale are tantalizingly close, but still just beyond our reach. I will wait, however impatiently, as I know what’s coming will deliver a story for the ages. This book gives readers the perfect close to this arc while leaving us all begging for more. Like the winter season itself, the wait will be a long, cold one… but one I believe will ultimately be worth it.

I’ll see you all again in dreams.

Review Copy Courtesy of Penguin Random House. Images Courtesy of DC Entertainment.

The Sandman Universe: Nightmare Country: The Glass House Collected Edition is available now from all good book and comic retailers: ISBN 9781779520722

The post Book Review: Sandman Universe: Nightmare Country: The Glass House – Collected Edition appeared first on DC Comics News.

Writer: James Tynion IV
Artist: Lisandro Estherren
Color Artist: Patricio Delpeche
Letterer: Simon Bowland

Reviewed by Steve J. Ray

Summary

The Sandman Universe: Nightmare Country: The Glass House #6 closes the latest volume of the title with style, and power. James Tynion’s foray into Neil Gaiman’s world of dreams and nightmares has never disappointed, and with the final act of this incredible dark fantasy/horror coming in 2024, a clash between Dream and Desire (and possibly Despair too, if the cover for the issue’s anything to go by) is edging ever closer.

Positives

The secret of the Smiling Man has haunted readers for close to two years now and the story of Madison Flynn has been a source of terror and delight the entire time. Seeing her, The Corinthian, Max, and Kells get swept upon by a wave of demons, serial killers and the whims of The Endless has made this series feel closer to Gaiman’s classic than any other spin-off/follow-up that’s come before.

The power that Dream displays in this issue is nothing short of awesome. The way he handles both his creations and his various enemies is unbelievable. Tynion’s take on Daniel is perfect; he’s got the will and determination of Morpheus, but an edge and confidence that the original Dream never possessed.

The art, colors, and letters by Lisandro Estherren, Patricio Depeche, and Simon Bowland are a delight. Estherren’s pencils, painted over with water-color style hues make this series look and feel ethereal, and dream-like. Just like the Sandman books of the 90s, this series doesn’t conform or fit in with what fans may feel comics should look like.

Bowland’s letters are stunning. Just like the legendary Todd Klein, Bowland creates voices for his characters, making them all feel individual and unique. Believe me, comparing any letterer’s work to Klein’s is about the highest praise I can give.

Negatives

A war is coming, and I don’t want to wait. The final chapters of this tale are tantalizingly close, but still just beyond our reach. I will wait, however impatiently, as I know what’s coming will deliver a story for the ages.

Verdict

The Sandman Universe: Nightmare Country: The Glass House #6 gives readers the perfect close to this arc while leaving us all begging for more. Like the winter season itself, the wait will be a long, cold one… but one I believe will ultimately be worth it.

I’ll see you all again in dreams.

Images Courtesy of DC Entertainment

The post Review: Nightmare Country: The Glass House #6 – Final Issue appeared first on DC Comics News.

Writer: James Tynion IV
Artist: Lisandro Estherren
Color Artist: Patricio Delpeche
Letterer: Simon Bowland

Reviewed by Steve J. Ray

Summary

In this month’s The Sandman Universe: Nightmare Country: The Glass House #5, we see several puzzle pieces finally falling into place.

Thessaly’s protecting Madison, in her Dream-given cat form, and Max. Both are on the run from the evil angel and corrupt millionaire behind the nightclub that doubles as a gateway to hell. Meanwhile, The Corinthian has infiltrated the club, in an effort to liberate Kells, Max’s undead girlfriend.

Positives

I’m wondering whether you’re reading this review without having enjoyed any issues of this remarkable series. Why? Because the last paragraph should have your head swimming and asking yourself, “OK… what?!?” I’m also asking myself, regularly, why more people aren’t reading this title, because it’s consistently fantastic.

All the breadcrumbs James Tynion’s been dropping since Nightmare Country #1 are starting to bear fruit, including the huge bombshell that closed issue #5. Dream has become embroiled in the events occurring in this series, so I can’t wait to witness the fireworks when he discovers that, once again, one of his younger siblings is neck-deep in the whole mess. In fact, it looks like they’re the one who’s behind the whole scenario.

I’ve been following Dream and his siblings since day one, and seeing them honored and homaged in great new comics makes me very happy indeed. Lisandro Estherren and Patricio Delpeche keep taking us into a world that feels like it’s come out of our darkest dreams. The art’s creepy, yet beautiful, and the colors are spooky and ethereal. All put together, these comics stand out from the crowd. This is intelligent, psychological horror at its finest.

Never in my wildest imaginings could I ever have believed that love between an undead girl and a mortal man could feel beautiful and real, but Max and Kells are so brilliantly written and drawn that I can’t help but root for them. Thessaly has always been infuriating, and now that she knows who’s been pulling the strings, even hers (from waaay back in the original Sandman series) I know that sparks are going to fly. Will she and Daniel cross paths?

Seeing Azazel, The King Of Pain, Dream, and his siblings in this book always makes me happy, so this issue ticked a lot of boxes.

Simon Bowland keeps up the class, too. His lettering is as elegant, essential, and perfect as the script and the art. I can feel the heat coming from those candles as I hear them light up.

Negatives

I WANT TO SEE DREAM AND THESSALY CONFRONT THE ENEMY! AAAARRRGGGHHH!

Of course, this is just me being selfish and impatient.

Verdict

I’m sure that it will come as no surprise that I loved Nightmare Country: The Glass House #5. Everything about this title just works for me, and I leave every issue wanting more. The only trouble is, I  don’t want to wait.

Images Courtesy of DC Entertainment

The post Review: Nightmare Country: The Glass House #5 appeared first on DC Comics News.

Writer: James Tynion IV
Artist: Maria Lovet
Letterer: Simon Bowland
Text Page Designer: AndWorld Design

Reviewed by Steve J. Ray

Summary

Following and fitting in seamlessly from, through, and between Nightmare Country #6, Dead Boy Detectives, and Nightmare Country: The Glass House #3, The Sandman Universe: Thessaly Special #1 gives us a look at DC Comics’ mistress of witchcraft’s history and dark power. It also finally shines a light on her involvement – involuntary as it might be – in the ongoing investigation into the horrific death of Madison Flynn.

Positives

First, let me say straight off the bat, that Thessaly is a horrible person. However, she’s a fascinating, deep, and extremely complex character. I’ve been following her story since her first appearance in issue #32 of Neil Gaiman’s Sandman (1991). She’s gone from being a terrifying, bigoted, and ultra-powerful witch in “A Game Of You“, to Dream’s lover, magical avenger, and force of nature in her more recent appearances.

James Tynion has a real grasp on the character and is finally showing us her past. By doing so, he lets us see some of the moments that made and forged her. The brilliant part is that all of this fits in with what we’ve already seen of her over the decades, honoring what her creator has already told us about her while adding more flesh to the bones of her history. I must also laud the way James creates new side characters that I immediately fall in love with. They’re all so flawed, human, and real!

Maria Lovet is a wonderful artist who gives readers a Thessaly as great as the one drawn by her co-creator, the inimitable Colleen Doran. The art in The Sandman Universe: Thessaly Special #1 is gorgeous; simple, clean, atmospheric, and, dare I say it, magical. This great issue works both as a follow-up to The Sandman Universe: Nightmare Country #6 and as a chapter in the ongoing saga of Madison Flynn.

Yes, the writing, art, and Simon Bowland’s lettering in this special are (as always) first-rate, but I think I need to name guest creators AndWorld Design (AKA Deron Bennett) as the MVP of the issue.

I love experimental comics, and DC has been spoiling us recently with issues that tell a story as one continuous 20-page image, an entire story seen from one character’s POV, and the incomparable DC Black Label horror series, The Nice House On The Lake (also written by James Tynion). This saga contained entire pages dedicated to text and art that were so seamlessly intertwined, that the reader was left wondering whether the artist, colorist, or letterer was responsible for the final result. With this issue, I finally have my answer.

The Sandman Universe: Thessaly Special #1 also features several text pages, but they’re so lovely to look at that you’d be completely justified in calling them works of art. Some look like ancient scrolls, others like pages from a storybook, and yet others like a movie script (the scroll pages are featured below).

AndWorld didn’t just letter these pages. No. Just like the way they did in TNHOTL they imagined and executed the designs, created the textures, and provided the color. As usual, I’ve been left in awe. I cannot understand people who don’t see comics as true literature or art, because, for me, they’re the perfect marriage of both.

Negatives

I have nothing to say.

Verdict

The Sandman Universe: Thessaly Special #1 is virtually flawless. James Tyion has crafted a story that scares us by asking what it is that people really want, and the design, art, and lettering of the book are of outstanding quality.

Seeing Thessaly’s past, getting glimpses of Dream (and his other famous lover), plus a dark and ominous hint at one of his younger siblings’ deeper and continuous meddling in his affairs, all made this aging Sandman fan very happy indeed.

I cannot wait for The Sandman Universe: Nightmare Country: The Glass House #4!

Images Courtesy of DC Entertainment

The post Review: The Sandman Universe: Thessaly Special #1 appeared first on DC Comics News.

Writers: Neil Gaiman, Matt Wagner
Artists: Teddy Kristiansen, Yoshitaka Amano, Dave McKean, P. Craig Russell, Milo Manara, Miguelanxo Prado, Barron Storey, Bill Sienkiewicz, Glenn Fabry, Frank Quitely
Color Artists: Teddy Kristiansen, Yoshitaka Amano, Lovern Kindzierski, Christopher Chuckry
Letterer: Todd Klein

Reviewed by: Steve J. Ray

Review copy courtesy of Penguin Random House – ISBN: 9781779521514

Summary

The Sandman: Book Five is the penultimate omnibus collecting the complete Sandman saga, as written by the character’s creator, Neil Gaiman.

This volume collects Sandman: Midnight Theatre, co-written by Matt Wagner, Sandman: The Dream Hunters, a hauntingly illustrated novella that reads like a Japanese folk-tale, and the complete Sandman: Endless Nights, an anthology with seven beautifully illustrated stories, one for Dream and each of his siblings.

Positives

From cover to cover, this book contains nothing but positives.

Here’s the breakdown, from Penguin Random House:

Neil Gaiman’s award-winning masterpiece
The Sandman continues here,
filled with the art from the medium’s most gifted talent.

Sandman: Book Five collects Sandman Midnight Theatre, Sandman: The Dream Hunters, and Sandman: Endless Nights!

 

Midnight Theatre takes place in the late 1930’s. A mysterious suicide leads the Golden Age Sandman (Wesley Dodds) to a dark circle of mystics known as the Order of Ancient Mysteries. The Order holds a number of disturbing secrets… and the greatest of these is Morpheus, the imprisoned Dream King!

 

Sandman: The Dream Hunters is a love story, set in ancient Japan. Telling the story of a humble young monk and a magical, shape-changing fox who find themselves romantically drawn together.

 

As their love blooms, the fox learns of a devilish plot by a group of demons to steal the monk’s life. With the aid of Morpheus, the King of All Night’s Dreamings, the fox must use all of her cunning and creative thinking to foil this evil scheme and save the man that she loves.

 

In Sandman: Endless Nights, Neil Gaiman explores all seven of The Endless siblings: Destiny, Death, Dream, Desire, Despair, Delirium, and Destruction.

Doesn’t that already leave you hungry for more?

Sandman: Midnight Theatre

What some people may not know is that Neil Gaiman’s Sandman was not the first character to go by that name. The original comic book Sandman, Wesley Dodds, first appeared in New York World’s Fair Comics #1 (April 1939) and was created by writer, Gardner Fox and artist, Bert Christman.

He was followed by Garret Sandford, first appearing in The Sandman #1 (December 1974), and created by Joe Simon and Jack Kirby (although he was never named as Sanford until a story written by Roy Thomas, from Wonder Woman #300 – February 1983).

The third Sandman was Hector Hall, who was also known as the Silver Scarab. Hector was the son of Carter (Hawkman) Hall and first appeared in Infinity Inc. #50 (May 1988).

Neil Gaiman masterfully made his Sandman, Morpheus of The Endless, the original, and brilliantly wove his predecessors’ histories in with those of his own. Sandman: Midnight Theatre is set during the time when Morpheus was held captive on Earth by Roderick Burgess and shows the first and only physical meeting between the Golden Age Sandman and Gaiman’s creation.

This is a dark detective story, magnificently written by Neil and Matt Wagner (the writer of Wesley Dodds’ own title, Sandman: Mystery Theatre). It contains stunning art by Teddy Kristiansen that marries the worlds of the two Sandmen beautifully.

Sandman: The Dream Hunters

Wow. Where do I even begin? This story evokes Japanese folk tales so perfectly, that when Gaiman said it was based on an tale from ancient Japanese myth, fans all over the world scoured the archives, in vain, searching for it. In later years the writer had to admit that the story was a brand new creation of his own to stop fans going crazy.

This tale is simply beautiful. In fact, it’s so great that it was adapted into comic book form form by long time Gaiman collaborator, P. Craig Russell, a few years later.

This gorgeous tale is hauntingly illustrated by legendary Japanese artist Yoshitaka Amano. The fully painted artwork is ethereal and dream-like, which blends perfectly with the high fantasy romance tapestry that Gaiman has weaved. It’s no wonder that so many people were fooled into believing that this was a Japanese fairytale.

The Sandman: Endless Nights

As someone who owns all the individual Sandman issues, and the tales gathered here in their first edition forms, having this collection in an easy to carry and read paperback edition is wonderful. It’s no secret that I love the Sandman Universe, and have done so for over thirty years. These short stories, each one focusing on an individual member of Dream’s family, are simply stunning.

We get horror, insanity, misery, love, and everything in-between in these stories. All are illustrated by masters of the craft, like Dave McKean, Bill Sienkiewicz, Milo Manara, Frank Quitely, Glenn Fabry, Miguelanxo Prado, P. Craig Russell, and Barron Storey. These are tales that will blow your mind and are a feast for the eyes.

We also get to meet the original incarnation of Despair, wonder about what really happened to Krypton, and learn where the sibling rivalry/enmity between Dream and Desire truly began.

Negatives

We have months to wait until the release of Book Six.

This final volume will collect the four-issue comic book version of Sandman: The Dream Hunters, the complete six-issue series Sandman: Overture, and 2018’s Sandman Universe #1, which led to all the current comics series, still in publication.

Verdict

With these six books, and the collected Death by Neil Gaiman (ISBN: 9781401247164), readers will be able to own the complete, official Sandman library, as written by its creator, Neil Gaiman, in the most cost effective way. Books one to four contain the original 76 issue run (Numbers #1-#75, and the 1991 Sandman Special: “The Song Of Orpheus”) plus several short stories from other publications.

The Sandman: Book Five collects the first wave of tales that were released after the original series ended. This book is simply beautiful and remains essential reading, even three decades after the stories contained within its pages were originally released. These dreams and nightmares will stay in your mind and heart long after you finish reading them, and every page of art is sublime.

The book comes out on February 14th, so will make the perfect Valentine’s day gift for the Sandman or Neil Gaiman fan in your life.

Images Courtesy of DC Entertainment

The post Book Review: The Sandman: Book Five *Gift Idea* appeared first on DC Comics News.

Here’s the full press release, direct from DC Comics:

DC Black Label’s
‘The Sandman Universe: Nightmare Country’
Comic Book Series
Returns in 2023 with
‘Nightmare Country: The Glass House’

‘The Sandman Universe: Nightmare Country’ Vol. 1
To Simultaneously Publish as a
Collectible Hardcover and a New-Reader-Friendly Softcover,
Built to Welcome Fans to ‘The Sandman Universe’

New DC Comic Book Series
‘The Sandman Universe: Dead Boy Detectives’
Launches December 27

Acclaimed horror writer James Tynion IV (Something Is Killing The Children, The Nice House On The Lake) has waited his whole career to pay tribute to the mythos of The Sandman, the work that made him the writer he is today, and now that time has come! With lush, gorgeous art from Redneck’s Lisandro Estherren and a who’s-who of superstar guest artists, The Sandman Universe: Nightmare Country is designed to welcome new readers into one of the greatest worlds in DC’s library, The Sandman Universe.

To make welcoming new readers easier, the collected edition of The Sandman Universe: Nightmare Country arrives in two different formats. The collectible hardcover release with cover art by Alex Eckman-Lawn will be available wherever books are sold and is packaged with a mini-print of the iconic Death, as illustrated by artist Jenny Frison.

A softcover edition with cover art by Reiko Murakami, priced as an easy jump-on point, will be available exclusively at direct market comic book stores. Both are out April 4, the same day as the launch issue of Nightmare Country’s spectacular follow-up miniseries, The Sandman Universe: Nightmare Country – The Glass House!

James Tynion IV:

I’m thrilled to announce that Nightmare Country’s follow-up miniseries, The Glass House, is coming early in 2023.

 

The Corinthian is going to be making his way to Silicon Valley, where he will go head-to-head with Angels, Demons, and a breed of creature far more terrifying that anything he’s faced before, Venture Capitalists.

 

Lisandro and I are excited to continue this nightmare tour through modern America and can’t wait for you all to see what we’ve got in store for you.

The Sandman Universe: Nightmare Country – The Glass House, launching on April 4, 2023, brings Tynion and Estherren back into DC’s The Sandman Universe with a new story and new setting for the second act of their DC Black Label epic. The series will continue featuring covers by Reiko Murakami, as seen above.

Launching between the first two Nightmare Country narratives is The Sandman Universe: Dead Boy Detectives by Pornsak Pichetshote (The Good Asian) and Jeff Stokely, featuring Thessaly the witch along with series regular ghost detectives Edwin and Charles.

Their investigation into a Thai American girl’s disappearance from her Los Angeles home puts them on a collision course with new and terrifying ghosts straight from Thai folklore that could give even a dead boy nightmares!

How exciting is that? As a fan of Neil Gaiman’s Sandman Universe for over 30 years, this news is a dream come true.

As an added bonus, check out the main cover for Dead Boy Detectives #1 and the updated Sandman Universe reading guide, which now includes book six of the beautiful new collected editions!

Images and Press Release Courtesy of DC Entertainment

The post DC Black Label Announces ‘The Sandman Universe: Nightmare Country: The Glass House’ and more appeared first on DC Comics News.

Writer: James Tynion IV
Artist: Maria Lovet
Letterer: Simon Bowland

Reviewed By Steve J. Ray

Summary

After five amazing issues featuring the Corinthian, it’s all-change this month, as Sandman Universe: Nightmare Country #6 shifts the spotlight to focus on Dream’s former lover, and everyone’s favorite witch, Thessaly.

Positives

It’s no secret that, as a huge fan of this universe from day one, I’ve really been enjoying this series. Having five incredible issues featuring The Corinthian was one thing, particularly with the wonderful Sandman TV show hitting the airwaves in the midst of it, but seeing another character from Neil Gaiman’s magnificent mythos making an appearance makes this issue incredibly special too.

Nightmare Country #6 works brilliantly, both as an intro for new readers, as well as a teaser for the forthcoming new Sandman Universe series, Dead Boy Detectives. As someone who’s loved these stories for over thirty years, seeing favorite characters again has been wonderful. Although the sad demise of the new Vertigo imprint (from 2018-2019, before transitioning to DC Black Label after 14 months, then ending completely in September 2021), broke the hearts of fans all over the world; Nightmare Country, the TV show, and the new Dead Boy Detectives book have made all our dreams of a continuing “Gaimanverse” come true.

James Tynion’s writing is, as always, pitch-perfect for a dark fantasy/horror tale. He’s captured Thessaly’s sense of self-importance and aloofness, as well as all her power and charisma. The fact that he’s also cleverly turned the horrific events of the previous five issues into the focus of a Hollywood movie for this sixth chapter is inspired. Only Tinseltown could transform the tragic death of a talented artist into melodrama.

The art and colors by Maria Lovet in this issue are similar enough in style to what’s come before, so as not to jar existing readers, yet different enough that this issue clearly feels like a new chapter in the ongoing series. The way she colors outside the lines adds a level of oddness and nostalgia that puts you on edge, while also reminding you of a more innocent, Ben-Day Dots era of years gone by. It’s very effective indeed.

As always, Simon Bowland’s letters and title pages give the issue, and the series as a whole, an identity, and feel unlike those of any other comic on the shelves.

Negatives

The way the issue ends leads readers to believe that this story won’t be continuing in these pages. Personally, I will be buying the new Dead Boy Detectives book, but not every fan may follow suit. I know that Thessaly will be part of the new series, but I’m hoping that her story with this issue’s new character, screenwriter Jamie Tyler, continues next month.

Verdict

Sandman Universe: Nightmare Country #6 is a great issue. We get new characters, a terrific script, quirky art, and the return of an old favorite. The fact that this imprint will be growing with a second title (and hopefully more in the months and years to come) is a source of real joy.

Images Courtesy of DC Entertainment

The post Review: Sandman Universe: Nightmare Country #6 appeared first on DC Comics News.

WARNING! The preview art below, provided by DC Comics, reveals HUGE SPOILERS!

Writer: James Tynion IV
Artists: Lisandro Estherren, Aaron Campbell
Color Artists: Patricio Delpeche, Jordie Bellaire
Letterer: Simon Bowland

Reviewed by Steve J. Ray

Summary

Sandman Universe: Nightmare Country #5 explodes onto the scene with revelations, Death, Dreams, nightmares, and more surprises than I would’ve thought could ever fit in a 20-page comic book.

Last month I said that issue #4 was the best chapter to date… this one has blown it right out of the water.

Positives

This is a great time to be a Sandman fan. Unless you’ve been imprisoned underground in a glass cage for a hundred years, you may well be aware that Netflix dropped their live-action Sandman TV show at the beginning of August. I don’t know whether watching it has colored my opinion of this issue, but the synchronicity between the volumes that have been adapted for the TV series and the story that’s unfolding in this title is nothing short of mind-blowing.

Either James Tynion IV is psychic, or he knew exactly which characters would be under the spotlight in the show. Sandman Universe: Nightmare Country #5 directly references “The Doll’s House” and also fits beautifully with the version witnessed in the TV adaptation. It’s absolute magic! To make the illusion even more mesmerizing, this issue’s reveal of Agony and Ecstacy’s mysterious employer is also a surprise that perhaps really shouldn’t have been.

Lisandro Estherren and Patricio Delpeche continue to wow with their art, but guest artists Aaron Campbell and Jordie Bellaire have blown my mind, too. This month’s “The Cereal Convention” side story, just like issue #4’s “Chaste” is a love letter to Neil Gaiman’s original, timeless, seminal Sandman run. I’m not spoiling who this issue’s main Dreamy guest star is, because the variant covers have done that for me, but there are still plenty of surprises in store that make this issue a must-buy comic.

Simon Bowland is a legend. Not only are his letters and designs for the new characters sublime, but he’s also managed to pay homage to the legendary Todd Klein in this issue too. Mr. Bowland has rapidly climbed into the highest levels of my favorite letterers’ list. Bravo, sir.

Negatives

The wait for issue #6 will be almost as painful as the one for season two of the Sandman TV show.

Verdict

Wow… I didn’t see any of that coming. James Tynion and the incredible art team associated with this book have delivered the kind of story that dreams (or nightmares) are made of. This book is fresh, innovative, and intriguing, yet full of love and admiration for the legendary tales that preceded it.

Sandman Universe: Nightmare Country #5 and titles like The Nice House On the Lake clearly show why DC are the masters of dark fantasy and horror comics for mature readers.

Images Courtesy of DC Entertainment

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Writer: Joe Hill
Artist: Gabriel Rodriguez
Color Artist: Jay Fotos
Letterers: Robbie Robbins and Shawn Lee

Sandman Consultant: Neil Gaiman

Reviewed by Steve J. Ray

Summary

April 26th will see the release of Locke & Key: The Golden Age, a hardcover collection that’s the perfect introduction to the characters, worlds, and mystical keys that the series is named for.

I can’t lie, but I’m fairly new to the wonder that is Joe Hill, Gabriel Rodriguez, and Jay Fotos’ Locke & Key Universe. Last year’s incredible Sandman Universe crossover mini-series, “Hell & Gone”,  made me a firm fan and now I’m hooked on the comics, TV show, and anything else I can get my sweaty little mitts on.

If you want in on this amazing series then I have some great news for you… this book is the perfect place to start.

Positives

This is a truly lovely volume. Locke & Key: The Golden Age includes two previously published short stories, “Small World” and “Open the Moon,” as well as the complete three-part miniseries “…In Pale Battalions Go…” as well as the complete two-part Sandman Universe crossover, “Hell & Gone.”

As a special treat exclusive to this hardcover collection, The Golden Age includes the previously unpublished “Face the Music” short story, created by Hill and Rodriguez as part of a vinyl record project that, sadly, never came to fruition. It’s a whimsical tale of the Locke family set in the early 1900s, and it introduces a brand-new key: the Orchestra Key.

As well as being a book that contains fabulous stories, the volume also collects over twenty covers, main and variant, from the tales and series contained within its pages.

I previously reviewed issues #0, #1, and #2 of “Hell & Gone” and loved them. I have to say, though, that this collected edition surpasses what came before, as it also collects what could be called Locke & Key‘s “Greatest Hits”; or at the very least the tales that best pave the road to the wonderful Sandman Universe Crossover that closes the book.

I’ve read both “Open The Moon” and “Hell & Gone” before, but the inclusion of “Small World” and “…In Pale Battalions Go…” makes this collection a legitimate novel. We get to see characters’ journeys, from childhood to adulthood and readers get a complete story that’s cohesive, clever, fun, scary, and hugely entertaining. I have to admit that I devoured this book, but this way of reading it probably doesn’t do it justice. What I would recommend is taking it chapter by chapter, and letting the situations, characters, and history in these pages sink in. Buy it the moment it comes out, and read a chapter per night… that’ll work.

I’m so glad that I’d already read part of this tale last year, but re-reading it with the added (beautiful and essential) material included in Locke & Key: The Golden Age has not only made the fire for wanting more Locke & Key burn brighter within me, it’s made my appreciation of the talents of Joe Hill, Gabriel Rodriguez, and Jay Fotos even stronger.

The connections between the Sandman and L&K universes are far deeper than I thought and go back way further than I’d imagined. Scenes that intrigued me from “Hell& Gone” make so much more sense, now that I’ve read Locke & Key: The Golden Age. Watch out for letters received, and a red scarf early in the book; the pay-off’s a doozy!

Joe Hill’s writing is first-rate and, this is the highest compliment I can give, I feel it to be on Gaiman’s level. This volume will sit proudly as part of my Sandman library, while the single issues from last year will join my ever-growing Locke & Key collection.

These stories were my introduction to the art of Gabriel Rodriguez and Jay Fotos. I’m happy to say that I will now gladly pick up anything I see with these gentlemen’s names on it, in much the same way I already do with the work of Joe Hill and Neil Gaiman.

Letterers Robbie Robbins and Shawn Lee’s work is also flawless, as they’ve added a great many words, flawlessly, to stunningly rendered pages. Their styles are very different, but both men did a great job of making the dialogue flow, even with the tricky task of having German subtitles in a few chapters. The artistry comes in with how they’ve done all that without ruining the pacing of the tales, or obliterating the stellar artwork. Bravo.

Negatives

I’m going to be spending a lot of money on Locke & Key books in the upcoming weeks and months. Of course, this is only a negative because I am but a humble, underpaid journalist. My life is still filled with artistic riches, and these volumes will only add to those.

On the plus side, my wife and offspring, who were already Sandman fans, loved these stories too and have now agreed to binge-watch the Locke & Key TV show with me.

Everybody wins!

Verdict

Horror and fantasy fans – buy this book. Sandman fans – buy this book. Locke & Key fans – buy this book. To those who don’t read comics but crave adventure, thrills, magic, lore, fascinating characters, or anyone who’d like their own key (see what I did there?) to two glorious fictional universes and a TV show (soon to be two) that will change your opinions on just what comics can be… BUY THIS BOOK!

Images, Digital Preview Copy, and limited edition 2022 Online Exclusive version of the book, courtesy of IDW. Courtesy Hardcover Review copy courtesy of, and available to order from Penguin Random House. Locke & Key: The Golden Age can be pre-ordered now and will be available from Barnes & Noble, Amazon, WH Smiths, Waterstones, plus comic and book shops everywhere, from April 26th: ISBN 978-1-68405-785-6

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